SAM CROW IN THE EAGLE'S NEST

Charlie, Kim, Boone, Tommy, Ryan, Theo and Myself will be in Lathrop, CA on Sunday. Eagle's Nest Harley has been gracious enough to give us promotional 2010 Dynas to ride for a year. We'll be signing autographs and hanging out with fans from 2-4 pm. Join us if you can. Hit their site and register to win a new 2010 Dyna. Eagle's Nest Harley 13900 Harlan Road Lathrop, CA 209-941-0420

TCA FX SHOWRUNNERS PANEL

Photo by Frederick M. Brown

PRODUCERS ATTACK NBC... First of all, you can tell by the photo -- as I pick at a lose thread on my jeans -- that I wasn't quite sure what the fuck I was doing up there. All those guys, Shawn Ryan (The Shield, The Unit, Lie to Me), Peter Tolan (Rescue Me, The Job), Todd A. Kessler (Damages, The Sopranos) and a personal hero of mine, Graham Yost (Boomtown, John Adams, Lawman) have way more experience than I do. This was supposed to be a forum about the creative concerns of scripted television. Why, in a landscape of ever-changing content rules, we are witnessing some of the best scripted television ever produced. To me, that's a fascinating topic. However, some of the reporters seemed to have a different agenda. Clearly when the first topic raised was about the difference between running a network show and cable show, I knew I was out of my depth. I've never run, nor even written for network. Then the questions took an inevitable turn to the NBC decision to kill dramas at 10pm. I would like to clarify one thing, the panel was not an NBC-Bashing as Ken Tucker's snappy headline would suggest. It began with Shawn praising NBC as the godfather of television drama. The comments focused on how "disappointing" it was that NBC has, as Tolan put, "given up" by programming Leno at ten. From Hill Street to ER to West Wing, NBC developed the dramas that inspired many of us to become writers. In fact, it was a West Wing spec that got me the gig on The Shield. Reporters then dug in, inciting more heated feedback. Which of course most of us were happy to add. I felt like the idiot echo, chiming in every once in awhile with "Yeah, that's right... what Shawn just said..." My comment, "they're the bastards to hate now" was not a slam as much as it was a comment on the cyclical nature of success in the television business. But I was cut off before I could articulate that point. When the topic of the Emmy time-shifting snub was brought up, Shawn spoke about the general dismissive attitude that some networks and studios have about writers. Clearly carrying over some of his heated feelings from the recent strike, Shawn called out the very real truth that studios hate the fact that they need writers. And if they could a find away to do television without us, they would. And of course, in fact, they have -- Reality TV. Which we all know is also scripted, but that's a whole other heated forum. It ended up being a platform, mostly for Shawn, to remind the media of the importance of writers and the contribution they make. NBC wasn't bashed, they were held accountable for the impact they've had on the creative community.

DRAGON UPDATE

This article hit the blogosphere yesterday. Exclusive: RAIN to Awaken The Dragon? Currently, I am no longer attached to Awaken the Dragon. I think I blogged about this awhile back. The project fell victim to the Writer's Strike and my accelerated SOA schedule. I pitched the project about year before the strike to the now defunct Warner Independent and John Wells Productions. They dug the pitch, liked my directorial bent, and I was attached to write and direct. But as it goes sometimes in features, it took a very long time to make the deal. There were a lot of factors that slowed it down, some of my own doing. It finally came together, papers were signed and I began towrite. Five pages in -- the WGA strike happened. I stopped writing. When the strike settled, Sons of Anarchy had been picked up and we were thrown into an accelerated production schedule. We were to premier with The Shield, not after it as I had anticipated. WI and JWP were very understanding and allowed me to push Dragon to the hiatus. However during the course of the SOA season, Warner Independent folded and by the time my hiatus hit, the fate of Awaken the Dragon was up in the air. Then big Warners picked up the option and JWP had it back on track. I pitched the project again to Warner Bros. They dug it and after a new deal was made, it was time to write. Unfortunately it was also time to begin season two of Sons. I loved Dragon. Loved the story, the noir component, the opportunity to direct, it was a great fucking gig. But I'm a control freak and running my show is three full time jobs, I knew if I took on Dragon, both projects would suffer. So I stepped away. The folks at John Wells Productions are really savvy and with big Warners behind them I'm sure they already have found someone more talented than me to write and direct. I look forward to seeing it come together. Maybe even with RAIN.